SPORKETTE GAZETTE
http://www.sporkettegazette.com/
November 10, 2009 – Volume 4, Issue 12
Patricia Spork (aka Sporkette), Publisher
Contact Sporkette!
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IN THIS ISSUE
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Ramblings
Sporkette Hachette
Carter Bentley Interview
Alligator Thanksgiving Writing Contest Winner
Share! Giveaway! Freely Distribute!
End Ramblings
Notice
Copyright Information
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Ramblings
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Hey, Folksy-Wolksees!
How ya’ll doing? Hope great!
Congratulations to Alina Oswald for her new photography book The Best of MJ – a photo book of her favorite male model. And if you didn’t get a chance to see the USS New York on television news or anywhere else, you might want to check out the famous ship’s historic arrival to New York by visiting Alina Oswald’s online photography portfolio.
I added The Three Goblins e-book and some deer images as free downloads at Patricia Spork, and an old personal essay (“Deer Hunter Heart Throbs“) that has Reprint Rights. Other items have been added for members only. To see them, click on each blog post title at “Just So Ya Know“.
Since Halloween is past now, I’m offering a Halloween Special Deal at Digital Frolic, which contains 9 Halloween digital products. It’s a limited offer, for 31 sales only. At $7.00, you can hardly beat the deal, especially since it includes my Halloween Wallpaper and Ecards graphics package. :0)
Check out my “Turkey Head Obama” wallpaper image at Sporkette. It’s a free download, so get it if ya like it. I’m using the image as my profile background at my favorite social media site.
Sorrel Sunflower has a couple of new products added, while eBookMouse and Resell Ebooks Buzz await input to them. Yes, seems I’m slow maintaining sites, but ya know, I do have a life to spend offline, too. LOL!
I’ll soon be relaunching SporkBinge, which, for now, is redirected to PS site. When the domain name is on its own again, it will be my interview site for Texas musicians only. The first interview, with Carter Bentley (rhythm guitarist for the band LIVESTOCK), is being first published in this issue of Sporkette Gazette. You can read the interview with Carter further below.
Before long, I’ll be reading a couple of new books, so expect more writer interviews and book reviews within the next few months.
Have a wonderful and blessed Thanksgiving!
Sporkette
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Sporkette Hachette
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“Do you play any instruments?“ ~Texas Musician
Sporkette: Yes, I do. Years ago, I played drums in bands for extra income. I
I also did vocals, as a lead singer or back-up harmony. I no longer own a set of drums, for literally got tired of hauling them around and dealing with flaky male musician egos. LOL! No offense, fella. :0)
I’m fairly decent playing rhythm on acoustic guitar, mandolin and autoharp. And….I play some “mean” spoons. LOL! Also have a little experience with other instruments, like tambourine, keyboard, harmonica and bongos, to name a few.
I haven’t played much of anything since my 19-year-old son died 12/26/00 from a self-inflicted gunshot wound to the head. When he died, the music died within me. But recently, been feeling vibes heavy, so am again picking and strumming on my guitar and mandolin. Seems love for music never fades, nor does the love for my son, who always joked about my singing. Hahahah.
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“I hate your political art! You can’t even draw! Why don’t you give it up?” ~Obama Supporter
Sporkette: Because I like to draw (whether anyone thinks I can or not) and hate Obama’s policies. Why don’t you give him up?
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Carter Bentley Interview
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A few months ago, I sent interview questions to a songwriter/musician I’d met on a social media site. Previously, this person had offered a free copy of his CD, which I requested and received. After listening to the CD, I decided to request an interview with him. He agreed, but never returned the completed interview. Maybe I disgruntled him somehow, which is easy for me to do to folks, since I’m so opinionated at times. LOL!
Anyhoo, I ran an online ad seeking local Texas musicians to interview. Carter Bentley was the first musician to respond to the ad. Thank you, Carter!
Carter Bentley resides in Tyler, Texas, and is the rhythm guitarist for the East Texas band LIVESTOCK. He is also the band’s vocalist and songwriter…and driver of the Winnebago. Carter believe’s his band is “100% different, and not defined by any one “genre” of music” and feels their sound is “similar to Green Day meets ZZ Top“. He states, referring to Livestock, that the band is “not a country band,” but is “Hard Corn“.
Livestock mainly practices and records in Dallas, Texas. As for the band’s music, Carter states: “…some of the music may be unsuitable for small children and certain family functions. It is 100% politically incorrect, yet quite relevant in many ways.” (Carter is referring to songs, like Livestock’s “Chlamydia,” which placed 26th in a www.OurStage.com competition. He feels “Chlamydia is one of the fastest spreading STDs in America and this song brings awareness in an entertaining way.“)
Carter Bentley’s biggest influence is Frank Zappa. His other interests include instrumental jazz, classical, reggae and old school punk. As for his songwriting, Carter states: “When I write music or lyrics, I don’t subscribe to any one genre, but ‘protest song’ is a good place to start. There’s plenty of inspiration and material to work with!” His major goal as a songwriter and musician is “…to have a message and not rely on mainstream commercial potential.”
So, with great appreciation and admiration, I present my interview with Carter Bentley:
SPORKETTE: How did the band and band name “Livestock” originate?
CARTER BENTLEY: The name is ‘tongue in cheek’ description of the way that our mass of humanity is basically lumped together as one group. ‘Sheeple’ is so cliché…but I have this mental image of ‘cattle cars’ full of people…’livestock’…would live their very controlled lives being herded from here to there, always doing what they are told, eating what they are given, or allowed to graze on, and never really looking up to see what is happening. It’s my overall perception of humanity.
SPORKETTE: Why do you consider Livestock to be “100% different and not defined by any ‘genre’ of music”?
CARTER BENTLEY: I write songs that are rock, reggae, country, metal, punk, ballads, and the occasional polka. If ‘protest songs’ is a genre, then that would probably best describe what my objective is. I would like to reach out to as many listeners as possible, and playing in only one style limits potential audience. It is different because not many main stream artists have the intestinal fortitude to touch these subjects, as it may contribute to a decline in sales or support from a label. I, on the other hand, have nothing to lose, so my stance is ‘even bad publicity is still publicity’.
SPORKETTE: Why did you choose “Bent Songs” as your label?
CARTER BENTLEY: In this ‘music’ business, it is prudent to keep control of as much of the artistic process as possible. I started this label myself and intend to be the executive producer, and keep as many fingers in this pie as I can. I have an ‘audio’ vision, and making someone else ’see’ or hear it isn’t always easy. Also, ‘Bent Songs’ is a fairly accurate description of the product.
SPORKETTE: Being a rhythm guitarist, which do you prefer…acoustic or electric instrument…and why?
CARTER BENTLEY: I am comfortable with either, but my preference is the electric because of the varied sounds and styles available to punctuate a song and give it more impact. There is nothing like an ‘E’ chord played through a distortion pedal into a 100 watt 4 x 12 cabinet.
SPORKETTE: As a songwriter, why do you lean toward writing radical, anti-government songs – protest songs, such as “Form One Line” and “Calling Wall Street“?
CARTER BENTLEY: I don’t consider myself ‘radical’ or ‘anti-government,’ but I am 100% opposed to government having too much of a role in the average citizen’s life. Government is good, as long as it is kept in check ‘by the people, for the people, and of the people‘. Our constitution allows for free speech, and that is what I am exercising. If that is ‘radical,’ then we are in way more trouble than I thought. I am only a messenger who wants to open eyes and ears to what is really happening in the USA. We are being driven into economic ruin, becoming a military police state and our constitution is being trampled on everyday.
The constitution does NOT give the federal government authority to dictate healthcare for me or my family. Yet, now they are trying to pass a massive healthcare ‘reform’ bill that NOT ONE person has read. The amount of apathy in our country is appalling…from voting to even basic understanding of how our government works, the lack of interest, and most importantly, the complete lack of any action is astonishing, and frightening. As Jefferson said, “it is not the evil that men do that is the most danger, it is the lack of good men willing to do anything about it”. When you watch Leno “Jay Walking” it truly is an accurate reflection of the state of America, and instead of anyone reacting, it is simply viewed as ‘entertainment’.
No, I am not radical or anti-government, but perhaps perceived as such by people who don’t know any better. I would prefer to be known as ‘pro-citizen’.
SPORKETTE: What prompted you to write the more humorous, yet serious subject songs “Chlamydia” and “Going Bald“?
CARTER BENTLEY: ‘Going Bald‘ was written for my friend, Phil, who was the first of my contemporaries to experience ‘male pattern’ hair loss. While he never went completely bald, he is getting pretty thin on top.
‘Chlamydia’ was meant to bring attention to the fastest growing STD in the 14-21 age group. I hope that one day it will be the anthem of a generation who is trying to prevent this trend from growing. The first version had a heavy steel drum influence and lead that sounded something like Jimmy Buffet’s ‘Margaritaville‘.
SPORKETTE: What are your strongest and weakest points as a vocalist?
CARTER BENTLEY: Well, the fact that I can’t really sing doesn’t help, but the wonders of the studio allow me to at least sound palatable, in most cases. The strongest point is the raw emotion that is behind the words, which stands for something, and the weakest point would be trying to be known as a vocalist, which I have never claimed to be…I’m just the only person in the band who knows all the words.
SPORKETTE: What, to you, is hypnotizing about the mellow, yet rocking instrumental song “Metro Gnome”?
CARTER BENTLEY: This is my homage to old school rock bands like Led Zeppelin, Rush, and BOC. It’s loads of fun to play, and free range to do anything within the songs is fun for the musicians. It was really written from a drummer’s perspective…and there are some complicated drum licks. Beyond that, it’s simply driving repetition, with searing guitar licks. The original version has keyboard as a solo, but we wanted to beef it up, so it was redone with all guitar leads.
One of my biggest guitar influences is Al DiMeola, and this was an attempt to create something that would pay respect to him. The concept is a very small ‘gnome‘ type guy who runs amuck in a big metropolitan area creating havoc. It also is a play on the word metronome, which keeps tempo in a song.
SPORKETTE: What albums do you have available and is a new one being recorded at this time?
CARTER BENTLEY: There is an EP titled ‘Specimen‘ that was recorded in 2003 in South Carolina. It features the older songs like ‘Chlamydia,’ ‘Citizen,’ ‘Going Bald,’ an older version of ‘Metro Gnome‘…and the ‘B’ side, ‘Tender Moments‘. The band members were Todd Toho (Lead Guitar), Mark Smith (Drums), Scott Morlock (Keyboards), and I played rhythm guitar and bass.
The album being recorded now will be titled ‘Fashion Show‘. It does have some new music, and it’s equally as ‘politically incorrect‘. On this CD, it’s a new line up of Texas musicians: Gary on drums and I’ll play bass and rhythm, while Erik and Myke will share lead guitar responsibilities. We hope to have it finished by January or February of 2010.
SPORKETTE: As a vocalist, songwriter and rhythm guitarist, which Livestock role is most satisfying to you…and why?
CARTER BENTLEY: Songwriter, because the canvas is wide open. The process of creating something from thin air is unbelievably fulfilling. Weaving words and music together is so much fun, and when inspiration hits it’s like turning on a faucet. I am not in this to become a ‘Top 40‘ artist, but if even a few people are inspired to turn off the TV and actually get off a couch to do something, then that to me is the greatest satisfaction of all. I would expect to reach a core audience of males 14-40, who are realizing the fact that the American dream is just that, a dream. If I play loud enough, maybe some people will wake up from this dream that is turning into a nightmare.
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Carter Bentley is the rhythm guitarist, vocalist and songwriter for the East Texas band LIVESTOCK.
Listen to LIVESTOCK soundtracks!
Listen to more LIVESTOCK soundtracks!
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Alligator Thanksgiving Writing Contest Winner
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Congratulations, Alina Oswald, for winning the “Alligator Thanksgiving Writing Contest”!
Alina’s short story entry “Home for the Holidays” was inspired by my alligator image for the contest. (Click on the thumbnail to access and view the larger alligator image.)
Have to tell you, Alina was quite grateful for the creative writing inspiration, since usually, she’s writing non-fiction articles. Good for you, Alina, for going all gusto with this fiction writing contest! Glad you had fun. :0)
For the winning entry, Alina gets to choose two digital products from the “Just So Ya Know” blog posts about member only products at Patricia Spork.
I think you’ll agree that Alina’s short story is not lacking in quality or imagination. Enjoy the read!
Home for the Holidays
By Alina Oswald
There’s nothing like going home for the holidays. The experience reconnects us with timeless memories – the kitchen, alive yet again with familiar scents and useless helpers; my parents’ living-room, rich with a mixture of cranberry sauce and pumpkin pie flavors; the present generation of kids – not me, not my siblings anymore – running around, their steps sending tiny shivers throughout the entire house; my parents with their faces carved by time, yet opened into broad smiles as they savor the masterpiece of their lives, their (our) family. Yet, the masterpiece is slightly chipped. One tiny piece is missing, carved out by a tragedy everybody has been trying to put behind for years now, yet the devastation of that instant, so long ago, has been coming back to haunt my family, like a nightmare that doesn’t wanna go away. The chipped surface is almost unnoticeable by now, smoothened away by Time, yet Time is not the perfect healer, as some may think. It will never be able to make the masterpiece perfect ever again.
I am the missing chip, the reason for the sole imperfection in my family’s otherwise perfect existence. I can only show myself in the sanctuary of shadows and darkness. I would scare my loved ones if I ever dared show myself in bright light. And I’d never put them or myself in that kind of danger. Not human anymore, I have become a monster. Now, in my second incarnation, I wouldn’t let them know I even exist.
Wobbling my way through the swamp, I hit the murky frontier separating humans from beasts, their territory from ours. I wait there and hold my breath until familiar voices and childhood scents trickle through. I let the rays of sunshine play hide-and-sick on my back through the dying leaves of the forest. The warmth is strong enough to comfort even a cold-blooded creature like myself. I miss the oily texture of the swamp shielding my body like a shadowy veil. I’ve called it Home, ever since the accident. I’ll go back soon, resume my second life in the body of my attacker, the beast that engulfed me whole in one bite that Memorial Day, in the Bayou.
Today though, I won’t think of it. Today humans give thanks. I have to be with my family, even if only from a distance, to give my thanks.
I’ve learned to ignore my hideous body zigzagging heavily against the dry land. Maybe it would be better to show myself to them. Let myself be killed, once again… I wonder if, once again lifeless, my body would turn into its human shape, like the werewolves’ do. I wonder what my family would think of me then?
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Alina Oswald is a freelance writer and photographer, and the author of “Journeys Through Darkness“ – a biography, and “The Awakening” – a collection of poetry and pictures.
You can contact Alina at her site.
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Share! Giveaway! Freely Distribute!
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You will need a ZIP utility program and PDF reader to extract files and read the e-books. Click on the titles below to download the zipped e-book folders to your computer.
Big Profits from Small Priced Items
Designing & Building Profitable Photography Websites
How to Use Simple Surveys to Create Best-Selling eBooks & Info-Products
Any inquiries or download problems, contact me.
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End Ramblings
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Fort Hood, Texas
(November 2009)
pistols repeat fire
people fall wounded or dead
grief hoods Hood again
~Sporkette
(Patricia Spork)
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NOTICE:
Sporkette Gazette is published by Patricia Spork (aka Sporkette) at www.sporkettegazette.com.
READ: Terms, Policy and Disclaimer on this site (www.sporkettegazette.com).
I hope to heck all content in this Online Newsletter is legal and not too defamatory or libelous and that I’m not infringing on anyone’s rights. I’m willing to be held accountable for any wrongdoing, but please know, everything published in this newsletter is done so in good faith and with as much integrity as is possible for a southern hick that doesn’t have much knowledge about law.
January 2009 – Patricia Spork
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Copyright Information
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Sporkette Gazette is copyright of Patricia Spork. Some content may be copyright of other respective authors. Copying any portion and publishing any of the content elsewhere is not permitted without express written permission from Patricia Spork or any respective authors.
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Sporkette Gazette Copyright 2003-2009 Patricia Spork,
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